Sean HanusSean Hanus
I am an audio engineer, sound designer, and podcast editor. I am particularly passionate about audio projects that touch the souls of those listening and draw them closer to God.
I would love to continue to work spreading truth and hope through my audio work in the future, wherever I am needed. God Bless!
“Sean is a team player. While he is a true professional when expressing his opinions and concerns, his commitment to the success of the show makes his perspective so valuable and only adds to the quality of the finished product. He is accessible, reliable, forthcoming, and tenacious in his commitment to the art form and to any project he tackles.”
Mien F. Yockmann
Video Editor
I toured the country as the Stage Manager for the one-man live production of Tolton: From Slave to Priest. The shows were held in multiple locations ranging from convents and churches to 2000 seat theaters.
In order to simplify and standardize show layouts, I spearheaded the effort to upgrade show systems from the old Cubase Elements 7 DAW to Logic Pro X.
In my first major audio project with Saint Luke Productions, I converted our live drama of Tolton: From Slave to Priest into an audio drama.
I was the only audio engineer on the project; responsible for recording, sound design, audio editing, mixing, and mastering.
Due to Covid-19 restrictions, I recorded ten voices separately, which were then integrated into one track.
The project involved children and adults with little to no recording experience who had to be coached and directed.
A weekly podcast. I edited over 70 episodes, combining 2-3 vocal tracks and integrating them into one track.
The episode featured bellow required extensive editing due to the fact that English was not the interviewee’s primary language. I was able to cut it down from the original length of 42 minutes to 32 minutes while still maintaining conversational integrity.
I composed the podcast jingle.
Audio editing including EQ, compression, trimming, noise removal, de-clipping, and leveling.
A digitization and restoration process of the 1987 film.
Audio restoration (de-noising, EQ, normalization, auto-tuning)
Re-arranged intro music using East-West sound library in Studio One.
A digitization and restoration process of the 1987 film.
Audio restoration (de-noising, EQ, normalization, auto-tuning)
Score composition, auto-tuning, and mixing of the music for the genealogy of Jesus (originally this five-minute segment was accapella). An abridged version of the song was used for the trailer on YouTube.
As part of a digitization process, we made a new trailer for the movie of St. John of the Cross. Because we did not have access to the orginal audio files, I used ADR to dub over the entire trailer.
I created the SFX for the Saint Luke Productions logo.
Sound design
Maintaining sound library
Mixing SFX
Audio cleaning/Restoration
Noise removal
Dialogue smoothing
De-clipping
De-clicking
Spectral Repair
Audio editing
Gain Staging
EQ (surgical and tonal)
Compression
Reverb
Recording
ADR
Studio Management
Prepping studio for recording or filming
Microphones
Speakers
Monitors
Audio Interfaces
LED and Stage Lights
DMX chains
XLR chains
Projectors
Theater sets
DAWs
Logic Pro X
Cubase
Studio One
Audacity
Other
Office 365
Sharepoint
Musescore
Plugin/Audio software
iZotope rx
Melodyne
Lighting automation
DMXIS
Audio Engineer, June 2018 – Present
Studio Manager, May 2019 – Present
Stage Manager, Sept 2017 – May 2019
Musical Director for Shakespeare in Performance, Spring 2017
A/V Technician August 2014 – December 2016
Ave Maria University, Ave Maria, FL
B.A. in Physics, May 2017
Minor in Shakespeare In Performance, May 2017
